If you have a track ready to pitch to record labels, there’s one main thing to consider
If you have a track ready to pitch to record labels, there’s one main thing to consider. First off, record labels are businesses. Their only thought is, are you and your products worth their time investment? So, how can you become valuable to labels?You need to bring with a strong following, fanbase who would purchase your track off the bat upon release for a secured potentially guaranteed income.
Let them know where you have bookings, how many times a week/month and your average fees so far. As they may be entitled to booking fees etc. it’s key for them to know your value.
The whole process is a sales pitch and the music itself is also very important. For that reason I recommend certainly including a short brief about the track. Do however keep your pitch and submission email short and full of facts. Add a picture of yourself and anything associated to your brand as such to show how impressive your branding skills are.
Beatport promotion is key to getting into the charts | How to go about it
Promoting you new Beatport releases is a key factor to getting your productions into the charts. This process gets easier and easier the more followers and fans you have on social media and on Beatport itself. It's always simplified when all you need to do is send out a single notification to all and watch the sales spike. It's that spike which gets you the chart positioning you're after.
But what if your follower numbers simply aren't enough?
Followers on social platforms aren't the most reliable resources out there. As I'm sure all have experienced before, a small event or reunion is arranged and 200+ announce they're coming, but only 50 turn up.
You can safely estimate that about 0.1% of your followers will actually purchase your track once announced, and the rest may decide to buy after the following weeks or months. To get into the charts. You need an immediate spike in sales. Achieving this is a whole other ball game. Not only do you need tracks to get followers and releases to gain exposure, but without followers, your tracks don't get shared and sold much. Some of the help comes from the record labels. You can imagine what ease Spinnin' has getting any track into the charts each time. With over 6'000'000 followers on Facebook alone, the 0.1% still produces 6000 sales immediately. Let's not forget Twitter, SoundCloud and on Beatport itself where the purchasing numbers are much higher.
Is there another way?
Yes there is. You can buy your way into a network that supports such sales spikes and can help you reach the charts with ease like Spinnin' other major labels can do. It all comes down to what your willing to invest.
Let's take a look at a Deep House Beatport top 100 chart case study that was performed
Using an initial investment of £799, purchases were made by an anonymous artist and a network. This sum may seem a lot to just simply get into the Beatport top 100 deep house charts, but the results were spectacular. First off, as an artist you will receive 25% back in sales income. If the track pulls its own weight, then it'll continue to climb. A total of £1400 was returned to the artist in sales from this process and initial investment of £799 which got the artist within the top 50 on Beatport. This study shows that hitting the charts is not only profitable, but it also provides the artist with much exposure and new doors begun to open. Bookings became more frequent and lucrative as well. That's of such great importance for the long run, and something that was not expected to happen so suddenly.
Can you get into the Beatport top 100 charts?
Yes you can. With our newest guarantee package, we can guarantee you a desired positioning within the charts. This means that you can benefit from the same plus points as major artists do on major establishments. What more could one hope for?
How can you get into the Beatport top 100 charts? Top your sales numbers and boost exposure
To cut to the chase, this blog entry is about getting into the Beatport top 100 charts and how we can guarantee this with our custom and even some shop bought ghost productions. We know the quality we deliver and for an extra fee, we’ll add a Beatport top 100 chart promotion guarantee on top. This is only available for our best tracks, so always contact us first about this before proceeding. We do accept your own demos for review, but only if already released on Beatport in the last 4 weeks. Our guarantees cover any positioning depending on the production quality, costs range from about £399-£8999. This range covers any Beatport top 100 positioning within genre specific charts, or even the main chart listings. We do have the option to guarantee top 10 in the main charts if the track is good enough to hold itself there.
How can you be a successful DJ. Check this infographic out that visually explains the components to your DJ brand. Where you should invest time in boosting your DJ career and name. How to get more fans and much more.
"I want to be a DJ where do I start?", is a common question for those looking to become a DJ. DJing can be a confusing profession to master as there is so much involved. The factors are wide spread and the talents needed to succeed are not something a single person can achieve. When asking the question I want to be a DJ, but where to start, you have to consider what's contained or perceived as such within the job title.
What is involved when becoming a DJ?
Let's see what you feel confident in doing. Read the list below and answer truthfully to yourself whether you're comfortable in completing these tasks alone. Is obviously only applies to DJs looking to become the best and the biggest.
1. Can you DJ? I assume you can mix at least to a reasonable level, though surprisingly this is the least important point to consider. Many well paid DJs couldn't tell you what Traktor 2.0 is for example.
2. Are you online savvy? I mean do you know how to promote and create a website? Most young of today can achieve this by themselves.
3. Do you think you could create a memorable brand? Designing a logo and etching a unique image into the music industry can be a challenge. There are many tools that can help you on your way.
4. Are you good at making business deals and getting your foot into the right doors? Basically, can you do what a music manager does?
5. Can you produce music? Every major DJ today is releasing Singles and EPs via big Record Labels. There is hope, for example here you can buy ghost productions readily or even hire a ghost producer to design your style and signature sounds.
6. Do you have any goals you're trying to reach to ensure you stay on track? Many get lost on the way and their identity suffers accordingly. Make sure you stay on track.
Becoming a DJ and where to start
The best way to look at becoming a DJ and where to start is by creating a to do list. Time scheduling out your plan of attack and seeing how your budget can optimise the list by using services to speed up your DJ career.
Here at Producer Factory, our House of tracks offers you the option of a guaranteed release. Even the newest could get onto the best labels if you're interested. It all comes down to a trade off of money or time. Sadly, time is the slowest and least successful approach statistically.
So when you think about becoming a DJ and where to start, think about these points first of all. It's easy to achieve your goal if you know how.
Many DJs feel that music management companies can help them progress. A DJ career requires a lot of work and deserves huge respect. So why do midrange DJs choose a music management company to help them get further?
The negatives to hiring a music management company
In the mid-level stage of a DJ career, things are looking bright and promising. The easiest thing to do is then hire a music manager in the hope for more success. Right off the bat you need to remember that from that point on, you'll be working on average 25% more to cover the costs that arise. So much for the easy option.
Music manager as a job title is becoming more and more redundant these days. The only music artists who need a manager to get their music career sorted are those who travel the world on a daily basis and can't afford the time to arrange gigs and DJ jobs themselves. Understandably it all comes down to efficiency versus gain. If your alias and persona would make more money with a music manager by your side after the cuts are taken, then having one is for you. If not, then you can easily do the work yourself and save during your growth period as a DJ.
DJ hardware does the mixing for you, how to improve and individualise your set
Whilst the DJ hardware does all the mixing, you have to utilise your time improving your set. A new way of achieving this is by playing around with DJ stems. Adding and exchanging new elements gives you the option of getting something new and exciting pumping through those speakers in the club. Consumers of music love to hear variety and something new within their comfort zone.